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Ostinato Must Have
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Ostinato Must Have

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SKU: SK0018212-US20260105-083122 Category: Tag:
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DISC: 1

1. Sonatae Violino solo~Sonata VI: […]
2. Sonatae Violino solo~Sonata VI: Passacaglia
3. Capriccio~Variation 1-7
4. Capriccio~Variation 8-13 (aus Canzoni, Ariae e Sonatae Op. III (Innsbruck 1659))
5. Sonata for violin ; continuo No. 6 in C minor, C. 143 “Sonata 75″~Adagio
6. Sonata for violin ; continuo No. 6 in C minor, C. 143 “Sonata 75″~Paßagaglia Adagissimo (Minoritenkonvent Wien)
7. Ciaccona aus Partiturbuch Ludwig
8. Sonata A Dur für Violine solo und B.c.~4/4
9. Sonata A Dur für Violine solo und B.c.~3/2
10. Sonata A Dur für Violine solo und B.c.~4/4
11. Sonata (scordatura: b,es’, b’, es”)~Prelude/Grave, Presto
12. Sonata (scordatura: b,es’, b’, es”)~Aria/Tarde
13. Sonata (scordatura: b,es’, b’, es”)~Aria/Adagio
14. Sonata (scordatura: b,es’, b’, es”)~Passagalia/Allegro, Presto
15. Sonata (scordatura: b,es’, b’, es”)~Menuett
16. Sonata (scordatura: b,es’, b’, es”)~Final
17. Ciaccona

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In music, “ostinato” (Latin obstinatus: “obstinate”) is a constantly repeated sequence of notes. A constantly repeated bass motif is perfect for improvisation – which in turn inspired many Baroque composers to write numerous masterpieces. Gunar Letzbor has put together a splendid program from this fund of pieces, including the well-known Ciaconnas by Bertali and Schmelzer and two ostinato-dominated sonatas by the violin virtuoso Biber, but also works by lesser-known composers such as Georg Arnold, Heinrich Döbel and Johann Josef Vilsmayr. In the question of the continuo instrumentation, the Ensemble Ars Antiqua Austria breaks new ground: according to new research, the magnificent Salzburg court, where Biber was Kapellmeister, had a special continuo accompaniment: for this magnificent instrumentation with lute, chitarra attiorba and colachone, the ensemble had the instruments specially reconstructed and now let’s the “Salzburg lute continuo” be heard again on this recording.

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