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DISC: 1
| 1. Overture In The French Style, Bwv 831 (Excerpts): I. Overture |
| 2. Overture In The French Style, Bwv 831 (Excerpts): II. Courante |
| 3. French Suite No. 1 In D Minor, Bwv 812: I. Allemande |
| 4. Keyboard Partita No. 5 In G Major, Bwv 829: III. Corrente |
| 5. English Suite No. 3 In G Minor, Bwv 808: II. Allemande |
| 6. Keyboard Partita No. 4 In D Major, Bwv 828: III. Courante |
| 7. Suite In F Minor, Bwv 823: II. Sarabande En Rondeau |
| 8. French Suite No. 1 In D Minor, Bwv 812: III. Sarabande |
| 9. Keyboard Partita No. 5 In G Major, Bwv 829: V. Tempo Di Minuetto |
| 10. Overture In The French Style, Bwv 831 (Excerpts): IV. Passepied I & II |
| 11. Overture In The French Style, Bwv 831 (Excerpts): VI. Bourrée I & II |
| 12. French Suite No. 6 In E Major, Bwv 817: V. Polonaise |
| 13. Keyboard Partita No. 3 In A Minor, Bwv 827: VI. Scherzo |
| 14. English Suite No. 6 In D Minor, Bwv 811: VI. Gavottes I & II |
| 15. Keyboard Partita No. 4 In D Major, Bwv 828: VII. Gigue |
| 16. Overture In The French Style, Bwv 831 (Excerpts): VII. Gigue |
| 17. Overture In The French Style, Bwv 831 (Excerpts): VIII. Echo |
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Sonia Rubinsky’s Magna Sequentia I was constructed around a Partita from Bach’s Clavier-Ubung I but this second volume focuses on the French Overture from Clavier-Ubung II. Each of the 17 movements has been selected to illustrate the different styles and expressive moods of Bach’s dance writing. This unique sequence showcases three specific national styles: the ornate and sophisticated French school, virtuosic Italian writing, and the stricter fugal writing of the German style. Contemporary insights about in Rubinsky’s historically informed playing.





