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Limited Offer Mainz Studio Recordings 1963 / Various

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SKU: SK0261279-US20260105-083122 Category: Tag:
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DISC: 1

1. Django
2. Tabu
3. Israel
4. St. Louis Blues
5. Rhythm-A-Ning
6. Les Enfants Š'ennuient Le Dimanche
7. Autumn Leaves
8. Three Seconds
9. Tea And Rum
10. Morandi
11. Don't Wait
12. Na Na Imboro
13. Nyleve
14. Connie's Blues

DISC: 2

1. Viande
2. Traffic Jam
3. Little Pear
4. Norwegian Wood
5. Five By Four
6. Royal Harp
7. Cry It Out
8. Soul Eggs
9. Noisy Silence, Gentle Noise
10. Somewhat, Somewhere, Somehow
11. Sitting On My Knees
12. Slums On Wheels
13. I'm On My Way
14. Pluns
15. Mother People

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When the Darmstadt teenager Volker Kriegel (1943-2003) officially debuted his first chords in the late 1950s, the guitar was still an outsider instrument in jazz. It could boast a few luminaries, but actually everything was still open when, in 1963 and 1964, the autodidact from Hessen won first prizes as guitarist and soloist at the amateur jazz festival in Düsseldorf. The debut recordings in 1963, which Südwestfunk (SWF) recorded with the nineteen-year-old guitarist in trio at the Deutschhaus in Mainz, and the 1969 studio sessions in the Kammersaal Studio, are worlds apart. For one thing, the guitar itself had carved out a career. On top of this, Kriegel had gained in self-confidence. But above all, he had found a counterpart in Claudio Szenkar, who opened up perspectives not only in terms of communication and composition but also through Kriegel’s own instrument. The combination of vibraphone and guitar was then still fairly new. In 1968, Kriegel decided to make music his main profession. Thanks to “With A Little Help from My Friends” and an appearance at the German Jazz Festival in Frankfurt, he achieved the breakthrough into public recognition. Together with the vibraphonist Dave Pike, the bassist Hans Rettenbacher and the drummer Peter Baumeister, he founded the Dave Pike Set, which became for four years his artistic center and a beacon combo of European jazz rock. And for the SWF (Südwestfunk, today SWR) he went twice into the sound studio. With the exceptions of The Beatles’s anthem “Norwegian Wood” and “Mother People” by the young guitar berserker Frank Zappa, hardly any pieces by other musicians are still to be heard in these recordings.