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Complete Works For Solo Guitar Limited Offer

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SKU: SK0016139-US20260105-083122 Category: Tag:
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DISC: 1

1. Douze Études, W 235~
2. Allegro non troppo – des arpèges
3. Douze Études, W 235~
4. Allegro – des arpèges
5. Douze Études, W 235~
6. Allegro moderato – des arpèges
7. Douze Études, W 235~
8. Un peu modéré – des accords répétés
9. Douze Études, W 235~
10. Andantino
11. Douze Études, W 235~
12. Poco allegro
13. Douze Études, W 235~
14. Très animé
15. Douze Études, W 235~
16. Modéré
17. Douze Études, W 235~
18. Très peu animé – des ornements
19. Douze Études, W 235~1
20. Très animé
21. Douze Études, W 235~1
22. Lent – Animé – Lent
23. Douze Études, W 235~1
24. Animé
25. Suite populaire brésilienne, W 020~
26. Mazurka-Chôro [including introduction from Simples]
27. Suite populaire brésilienne, W 020~
28. Schottisch-Chôro
29. Suite populaire brésilienne, W 020~
30. Valsa-Chôro
31. Suite populaire brésilienne, W 020~
32. Gavotta-Chôro
33. Suite populaire brésilienne, W 020~
34. Chôrinho
35. Valse-Chôro
36. Chôros No. 1 (Chôro típico), W 161
37. Valsa Concerto No. 2, W 009
38. Cinq Préludes, W 419~
39. Homenagem ao Malandro Carioca
40. Cinq Préludes, W 419~
41. Homenagem à Bach
42. Cinq Préludes, W 419~
43. Homenagem à Vida Social
44. Cinq Préludes, W 419~
45. Homenagem ao Indio Brasileiro
46. Cinq Préludes, W 419~
47. Homenagem ao Sertanejo Brasileiro

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Following his exploration of Spain with the music of Federico Moreno Torroba (BIS-2725), Franz Halasz now takes us to Brazil with the complete works for solo guitar by Heitor Villa-Lobos. The music of this extremely prolific composer often combines the influences of European classical music with the popular and traditional music of his homeland, which he played from an early age. The twelve etudes, thoroughly modern, are to the guitar what Chopin’s etudes are to the piano. Andres Segovia put it perfectly: ‘They present, at the same time, formulas of an amazing efficiency for the development of two-handed technique, and disinterested musical beauty.’ In contrast, the Suite populaire bresilienne and Choros No. 1 reflect the composer’s youthful experiences as a ‘choro’ musician playing Brazilian street music, and offer a fusion of the characteristics of traditional music. Finally, the five Preludes return to Brazilian folklore, of which they offer a synthesis in the form of five tableaux inspired by the popular repertoire. This recording also features two rarities: the recently discovered Valse-Choro and the unfinished Valsa Concerto No. 2, completed by Debora Halasz. An evocative blend of syncopated rhythms, exotic harmonies, sensual melodies… and guitaristic flamboyance!